top of page

CHI TIN SUI 池田穗  (b. 2001. Hong Kong)

EDUCATION​

2019 - 2024

Bachelor of Arts (Fine Arts), The Chinese University of Hong Kong

藝術文學士,香港中文大學

2023 

Exchange student at Prague University of Economics and Business (first semester)

Solo Exhibition

2022      <Flirting with Ambiguity>, Chi Tin Sui Solo Exhibition, New Asia College Ch'ien Mu Library, CUHK

Joint Exhibition

2021      <x>, The Art of CUHK 2022 Undergraduate Exhibition, Cheng Ming Building, New Asia College, CUHK

2021      <Fear, free ?>, The Art of CUHK 2021 Undergraduate Exhibition, Cheng Ming Building, New Asia College, CUHK (Curator & Exhibitor)

 

2021      <Outdoor Exhibition>, The Art of CUHK 2022 Undergraduate Exhibition, New Asia College, CUHK

 

2021      <Micronumbness>,Yueh Chiao Art Gallery, Shaw College, CUHK

2022      <2000 sinned>, The Art of CUHK 2022 Undergraduate Exhibition, Cheng Ming Building, New Asia College, CUHK

 

2022      <281ft²>, The Art of CUHK 2022 Undergraduate Exhibition, Cheng Ming Building, New Asia College, CUHK

 

2022       <Skipping Boundaries!>, Wild Art Festival 2022, Hong Kong

 

2022       <Untitled>, Hui Gallery, New Asia College, CUHK

2022       <King’s Pie>, Hui Gallery, New Asia College, CUHK

 

2022       <Apocalypse:10th>, Hui Gallery, New Asia College, CUHK

 

2023       <Memory Attachment>, Hui Gallery, New Asia College, CUHK

2023      <Vuca>, Joint Exhibition, New Asia College Ch'ien Mu Library, CUHK (Curator & Exhibitor)

2023      <Before It Billows Out>, Gallery I, Art Museum, Central Campus, CUHK


 

池田穗,在2001年生於香港。


創作時,思考和幻想佔據了空間,無語地表達或抑制曖昧不明的存在;她嘗試打破常規或建立藩籬以回應這些不協調、突兀、令人質疑的種種原始人性的曖昧及矛盾,探尋人與異世界、生命和意識之間的秘密紐帶。

 

作品大多呈現了形而上的思考,把象徵和事物錯置在同一空間內,營造出「異地茫然感」(Dépaysement),畫作中物體與不真實的背景上並置,召喚觀者不合常理的思緒,藉此創造迥異的視角和思考路線以理解世界,令觀者反觀內心最隱秘之處。某些作品中的細節是寫實的,縱使是不現實的,猶如人類無法理解的存在,這些縈繞腦際的複雜意識活動,是作者正視的,認為當潛意識與意識思維結合,作品就能反映更接近絕對的真實。

 

線條、物料及超現實的想像是創作者主要的視覺語言,她喜愛運用不同的創作材料作實驗性的嘗試,視發掘呈現可能性為創作樂趣。

 

Chi Tin Sui is born in Hong Kong in 2001. She primarily works on paintings and mixed media. 
 

When creating, intuitive thinking and imagination occupy the space, expressing or suppressing the vague and the unclear wordlessly; she tries to break conventions or establish boundaries in response to the ambiguous and contradictory primitive human nature, exploring the secret ties between humans, other worlds, life, and consciousness.

Most of her works present metaphysical thinking, and she places symbols and objects in the same space to create a sense of "dépaysement" (disorientation), juxtaposing objects with unreal backgrounds in her paintings, summoning viewers' irrational thoughts, and creating different perspectives and ways of thinking to understand the world, prompting viewers to reflect on their most intimate thoughts. Some details in certain works are realistic, even if they are surreal, like existences that humans cannot comprehend. The artist confronts these complex conscious activities that linger in the mind, believing that when the subconscious and conscious thoughts combine, the work can reflect a truth that is closer to the absolute.

Lines, materials, and surreal imagination are the artist's main visual language. She enjoys experimenting with different materials in her creations, viewing the exploration of presenting possibilities as a joy in the creative process.

bottom of page